I reeeaalllyyy like the image with the lone standing box. That box has been there forever and don't understand why it's there or what's inside it. It raises questions for people who don't know about it and if the box wasn't there the image wouldn't have been as interesting. The lights and darks are exceptional in the picture and the cloud formation you captured is astonishing. the details of the leaves are there and the contrast gives an isolation effect to the image.
I am very interested by the compositions in your photographs, particularly in the first and seventh images. The vehicles create blocked shapes that are nicely framed by the thing and vertical light posts to maintain interest in a horizontal fashion in the bottom portion. The seventh images with the cones and bench is strong with the use of symmetry. The feet (I believe that is what they are called?) of the bench contours the bottom of the cones. The bench, flat bottom of the cones, and even the shadow of the nicely parallel each other; I find this particular composition choice to be compelling. The exposures in your images are well executed, although I am not sure your take on this but the smudges on the windshield of your car in the first and second images do not appear intentional. On second glass, perhaps it is more effect on the second image since it appears the focus is on the windshield.
I reeeaalllyyy like the image with the lone standing box. That box has been there forever and don't understand why it's there or what's inside it. It raises questions for people who don't know about it and if the box wasn't there the image wouldn't have been as interesting. The lights and darks are exceptional in the picture and the cloud formation you captured is astonishing. the details of the leaves are there and the contrast gives an isolation effect to the image.
ReplyDeleteI am very interested by the compositions in your photographs, particularly in the first and seventh images. The vehicles create blocked shapes that are nicely framed by the thing and vertical light posts to maintain interest in a horizontal fashion in the bottom portion. The seventh images with the cones and bench is strong with the use of symmetry. The feet (I believe that is what they are called?) of the bench contours the bottom of the cones. The bench, flat bottom of the cones, and even the shadow of the nicely parallel each other; I find this particular composition choice to be compelling. The exposures in your images are well executed, although I am not sure your take on this but the smudges on the windshield of your car in the first and second images do not appear intentional. On second glass, perhaps it is more effect on the second image since it appears the focus is on the windshield.
ReplyDelete