I think your concept is so strong and i can real feel the diversity you have reached. I think you've gotten a bigger range of types of people traveling. I like your range of tones and composition. I think you're achieving a better space between the feet and the edge of the photo on most of them now. I can really appreciate the compositional decisions and crops you have, it really focuses on "the traveler"
I agree with Gillian that you've succeeded in broadening the definition of transit. I didn't even realize that something like the Cycle Party in photo nine existed. It's absurd in a way that is inherently Florida (the fact that the passengers are all drinking beverages adds to this). I love, too, that transit entails not only motion, but also waiting and inertness. Like, photo 1, with the suitcase, and photo six, with the posed woman on the bench, both depict the in-between, the pauses, the stalling, that by its very contrariness gives transit its power.
All of these images are strikingly successful in grounding your concept, very impressive! I see a large improvement from previous photos into these, in not only technique but concept. You have achieved diverse scenarios pertaining to travel and I really appreciate the types of character you captured in the people, such as the woman in the sixth image.
I think your concept is so strong and i can real feel the diversity you have reached. I think you've gotten a bigger range of types of people traveling. I like your range of tones and composition. I think you're achieving a better space between the feet and the edge of the photo on most of them now. I can really appreciate the compositional decisions and crops you have, it really focuses on "the traveler"
ReplyDeleteI agree with Gillian that you've succeeded in broadening the definition of transit. I didn't even realize that something like the Cycle Party in photo nine existed. It's absurd in a way that is inherently Florida (the fact that the passengers are all drinking beverages adds to this). I love, too, that transit entails not only motion, but also waiting and inertness. Like, photo 1, with the suitcase, and photo six, with the posed woman on the bench, both depict the in-between, the pauses, the stalling, that by its very contrariness gives transit its power.
ReplyDeleteAll of these images are strikingly successful in grounding your concept, very impressive! I see a large improvement from previous photos into these, in not only technique but concept. You have achieved diverse scenarios pertaining to travel and I really appreciate the types of character you captured in the people, such as the woman in the sixth image.
ReplyDelete